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Weldon Writes ... Almost a Blog

Developing Characters Via Dialogue

Many fiction writers have difficulty developing real-to-life characters in their work. One of the ways to pull this off effectively is with dialogue—something most of us enjoy writing. But, as an editor, I often see short stories that miss the mark. How? With dialogue that doesn’t truly differentiate the characters, much less help define them.

Have you read fiction in which the dialogue has one tone, one voice? Typically this is because the author is writing in his or her own voice instead of getting into the characters’ heads and talking in the ways they would. The dialogue must fit the characters. I’m often guilty of being lazy when developing dialogue myself, and often have to go through my drafts to hone the dialogue.

Let’s consider an example.

I’m currently working on a police procedural novel. Of course, there are a number of detectives and other police officers in the story, and each has a distinct character. My main character, Matthew Marrs, is a by-the-book, straightforward detective with a heart, who is highly intuitive and superb at his job. His partner, Gordon O’Daniel, constantly looks for the humor in situations, is something of a lady’s man, and is quick-witted and street-smart. Anthony D’Oro is an older, gruff detective, something of a curmudgeon. Now, let’s hear them talk.

“Give me a break,” Marrs said.

“Gimme a break,” D’Oro said.

“C’mon!” O’Daniel said.

The detectives react to the same situation and say pretty much the same thing, but with different voices that portray their characters. Even if I didn’t add the attributions, you’d probably know who said what from my earlier descriptions of their characters.  Read More 

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Writers at the Beach, 3/27/10

The second full day of workshops was just as packed as yesterday! Here are the events I attended, again with some thoughts. (I skipped the readings scheduled 10:00-10:45.)

Want: Character and Motivation (11:00-1:15)
The workshop leader was Jami Attenberg, author of the recently released novel The Melting Season and The Kept Man. I was impressed with Jami, not only because of her advice about characterization techniques, but because she was open about the writing business, how she came into it and how she lives the life. Her insights about writing were illuminating.

Jami had us do two writing exercises. I never write well in those situations (“Take 15 minutes to write about this scenario about this character”); I need time to think about the angles on an idea before it gels enough for me to write anything worthwhile. But I was amazed at the quality of work the other participants were able to create in short time!

A couple of things she said rings true to me.  Read More 

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