Bill, with his co-writer David Benton, wrote the story "Piper at the Gates," published in the Smart Rhino anthology Zippered Flesh 2: More Tales of Body Enhancements Gone Bad! We had fun in the following interview!
You tend to write a hybridization of horror and crime fiction/suspense. Do you find this combination easy to write, and why?
I do find it easier (no writing is truly easy, as you know). But not because there’s something magical about the mix that I’m tapping into. I find it easier because I grew up loving thrillers (and mystery and other genres, but thrillers were big), and later fell under the spell of one S. King, who blew my mind and sent it reeling into that black hole of terror I’d always been circling anyway. I had enjoyed horror before, such as James Herbert’s The Rats and The Fog, but when King came along with ‘Salem’s Lot, I truly was lost. I went all in on horror then. I took a break for my first couple years of college, then jumped back in. It became my favorite genre to read.
But, in any case, I never quite lost the thrill of the thriller. I loved the British authors the most. I admit, writers such as Ian Fleming, Alistair MacLean, Desmond Bagley, and Duncan Kyle. Although David Morrell made a huge impact with First Blood and I started discovering great American writers, too. After quite a few years concentrating on horror, I just naturally started to channel the thriller people I’d always liked so much. So, the idea that thrillers and horror aren’t necessarily mutually exclusive swirled around in my head, but subconsciously. I think in the long run I found that I couldn’t always sustain that sense of terror or dread needed in a horror novel, but if I mixed in a sense of more realistic suspense, maybe less supernatural and more grounded in what happens every day in the world (violence seems to be the true universal language, unfortunately), I was able to fill out the plots in a way that seemed more fulfilling to me. Since I came to love the so-called splatterpunks of the '80s, whose work tended to be more visceral and less supernatural, it was like blending two primary colors to create a third (secondary) color, you know? Whether or not it works, I don’t know. I have fun with it, so I hope that sense of fun translates down to the reader.
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