Aaron agreed to answer some questions for us--and we hope you'll learn something from his vast experience!
Aaron, you and I have similar backgrounds: writer, editor, anthologist. Let’s start with your own fiction. Your collection of stories, Aberrations of Reality, has been described as a “modern grimoire of mystical horror,” and you’ve also written a zombie collection, Up From Fresh Soil. Your The Dream Beings is an incredibly creepy serial killer/occult novel. Plus you’ve written a number of novellas. How do you manage to juggle your time to write your own work, considering your many other obligations? Do you have a defined routine?
Thanks. Yes, it’s a lot of work, there’s really no getting around that. But it’s work I love to do, so that makes it worth it. I used to have a steady routine of writing 1000 words a day, and I did that for many years. But at this point, I’m basically just working all the time, whether writing, editing, and working academically (still writing). So I basically just do as much as I can on all fronts, but focus on whichever one has the nearest deadline (ha). But whenever I have a break, I try to write a new short story, or at least revise one that I have already written. It’s a way of keeping myself working on my own fiction, given everything else I do. And yet, I will say that more and more—as you mentioned with AoR and The Dream Beings—I have been using my own personal experiences and my research into science, religion, and magic to inform my stories. Yes, life is weird. So, while I still write to entertain (as it were) or for a certain market, lately I have been formulating more of a specific agenda with what I want to do with my fiction. You can see this most explicitly with Aberrations. I feel almost like a scientist, and I am doing experiments with my work to see what I can tease out of it. Ultimately, I want to explore how horror and science fiction affect states of consciousness.
You’re a book editor for JournalStone Publishing and the Editor-in-Chief for Dark Discoveries magazine. What advice would you offer horror and other fiction writers looking to publish their work? What are the common “mistakes” you see in the submissions that come across your editor’s desk? (more…)