John welcomed an interview for Suspense Magazine, and I thoroughly enjoyed our Q&A session!
Let’s start with your screenwriting. Your first screenplay was an adaptation of your own novel, Nathan’s Run. Apparently you knew nothing about screenwriting before taking on the job. Yet you wrote the screenplay in, what, less than a week? What did you do to get up-to-speed on that project?
Two years after I’d sold the movie rights to Nathan’s Run, my film agent at CAA called with the bad news that Warner Bros was putting Nathan’s Run in turn-around—the first in a complex series of steps that generally lead to a movie’s death. All because of script problems. I told my agent that the previous script writers were missing the point of the story; that I could do better, if only given the chance. Important Hollywood Lesson: Be careful what you say.
“Hmm,” my agent said. “Do you think you could do it by next week?” The word “sure” escaped my lips before the filter in my brain had a chance to stop it. Sure I could write a screenplay in a week. Why should I let a little detail like never having seen a screenplay—let alone write one—stand in my way? Bravado, baby.
So, with so little time to deal with the deadline, what did you do?
I dashed out to my local bookstore and picked up a copy of William Goldman’s book, Adventures in the Screen Trade, and read it cover to cover in a day. In it, he’s got the complete script for Butch Cassidy and the Sundance Kid, and when I finished it, I thought I had a handle on this screenwriting thing, so I started writing. Three days later, I had a completed script for Nathan’s Run.
Wow, three days? How did it go over? (more…)