WELDON BURGE

Publisher/Full-Time Editor/Freelance Writer

Bullets and Butterflies: A Blog by Weldon Burge

Meet Suspense/Horror Writer Billie Sue Mosiman

March 22, 2016

Tags: Billie Sue Mosiman interview, Smart Rhino Publications, Suspense Fiction, Horror Fiction

Billie Sue Mosimanís NIGHT CRUISE was nominated for the Edgar Award and her novel, WIDOW, was nominated for the Bram Stoker Award for Superior Novel. Sheís a prolific writer, one of our favorites here at Smart Rhino Publications, appearing in several of our anthologies. A suspense thriller novelist, she often writes horror short stories. Billie has also been a columnist, reviewer, and writing instructor. She lives in Texas where the sun is too hot for humankind. We are grateful that she took some time from her busy schedule to answer a few questions for us.

You're a powerhouse short fiction writer, with stories in a great many anthologies and collections. Do you get more satisfaction out of writing short fiction than writing novels? If so, why?

I enjoy both forms of fiction writing. What do I find easiest to write, though? Short stories. One idea, a couple of characters, one forward plot. Novels are Olympic where stories are like college sports. I very much enjoy finishing a novel. I know I've run the marathon and made it.

Your latest novel, THE GREY MATTER, received a nomination for the Kindle Book Award. Your work often bridges the gap between horror and suspense. How much of this is intentional, and how much is simply "I write what I enjoy reading"? Do you think of marketing at all when you're in the "creation mode"?

Two of my suspense novels employed more than suspense. BAD TRIP SOUTH has a little girl who can read minds. It was the first time I mixed genres and I really liked how it came out. You're following a crime drama and meanwhile the girl knows exactly what's going on in the minds of the adults. I employed speculative fiction in THE GREY MATTER, which is essentially a crime suspense novel. The world goes dark due to EMPs and there's a serial killer in it. Otherwise, most of my books are straight suspense novels. I figured if whatever I write is something I like, others will like it too. Now I'm writing a new novel, THE BLACKEST PLACE, and it will be noir suspense. I do write what I enjoy reading. (more…)

L.L. Soares & Laura Cooney on Their Novella GREEN TSUNAMI

March 2, 2016

Tags: L.L. Soares interview, Laura Cooney interview, Green Tsunami, Smart Rhino Publications, Horror Fiction

Husband and wife team, Bram Stoker Winner L.L. Soares and Laura Cooney, having written some truly incredible and entertaining horror fiction over the years. L.L.'s stories have appeared in a number of Smart Rhino anthologies ("Sawbones" in ZIPPERED FLESH, "Seeds" in ZIPPERED FLESH 2, "Sometimes the Good Witch Sings to Me" in SOMEONE WICKED, and "What the Blender Saw" in INSIDIOUS ASSASSINS). Smart Rhino also had the pleasure of publishing their SF/horror novella GREEN TSUNAMI. The two of them took some time out of their busy schedules for a few interview questions.


Most of your writing tends toward horror, but GREEN TSUNAMI definitely has a science fiction flavor as well. What sparked the idea for the novella?

LL: Well, a lot of it had to do with the initial concept. Our first short story collection, IN SICKNESS, had just come out from Skullvines Press (which featured solo stories by both of us, and a novella called "In Sickness," which we wrote together). A couple of writers we knew were starting their own small press, and they wanted another collaborative novella from us. The only stipulations were that: 1) it had to involve the end of the world, and 2) it had to be told in correspondence format between a husband and wife (letters, emails, etc.). At this point, apocalyptic fiction had just started to really get big, but we didnít want to do anything that had been done before. No zombies or cannibals or stuff like that. In fact, the entire idea of the end of the world can instantly bring to mind ruins and barren spaces and death. And we wanted to do something the complete opposite of that. Where, instead of death and desolation, there was going to be life. It just wasnít necessarily going to be human life. Not as we know it.

And thatís how the science fiction flavor evolved. There are also elements of bizarro fiction in there, since both Laura and I are big fans of surrealism, and the idea of a constantly evolving, mutating landscape seemed to tap right into that. Unfortunately, once the novella was completed, the small press that asked for it closed up shop. Here we had a novella we really thought came out great, but the place that had requested it was gone. Thatís when Smart Rhino swooped in and came to the rescue. Which weíre both grateful for. (more…)

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